Monday, February 28, 2011

Classic Suggestion March 2011

Vanity Fair by William Thackeray

“I think I could be a good woman, if I had five thousand a year,” observes beautiful and clever Becky Sharp, one of the wickedest—and most appealing—women in all of literature. Becky is just one of the many fascinating figures that populate William Makepeace Thackeray’s novel Vanity Fair, a wonderfully satirical panorama of upper-middle-class life and manners in London at the beginning of the nineteenth century.


Scorned for her lack of money and breeding, Becky must use all her wit, charm and considerable sex appeal to escape her drab destiny as a governess. From London’s ballrooms to the battlefields of Waterloo, the bewitching Becky works her wiles on a gallery of memorable characters, including her lecherous employer, Sir Pitt, his rich sister, Miss Crawley, and Pitt’s dashing son, Rawdon, the first of Becky’s misguided sexual entanglements.

Filled with hilarious dialogue and superb characterizations, Vanity Fair is a richly entertaining comedy that asks the reader, “Which of us is happy in this world? Which of us has his desire? or, having it, is satisfied?”
-Product Description

Discussion Questions

William Thackeray Biography

Wikipedia Article

Tuesday, February 1, 2011

Classic Suggestion February 2011

The Mill on the Floss by George Eliot

Novel by George Eliot, published in three volumes in 1860. It sympathetically portrays the vain efforts of Maggie Tulliver to adapt to her provincial world. The tragedy of her plight is underlined by the actions of her brother Tom, whose sense of family honor leads him to forbid her to associate with the one friend who appreciates her intelligence and imagination. When she is caught in a compromising situation, Tom renounces her altogether, but brother and sister are finally reconciled in the end as they try in vain to survive a climactic flood. -- The Merriam-Webster Encyclopedia of Literature

Discussion Questions

George Eliot Biography

Wikipedia Article

BETH'S PICKS FOR FEBRUARY


The Passage by Justin Cronin

SUMMARY
It happened fast. Thirty-two minutes for one world to die, another to be born.
First, the unthinkable: a security breach at a secret U.S. government facility unleashes the monstrous product of a chilling military experiment. Then, the unspeakable: a night of chaos and carnage gives way to sunrise on a nation, and ultimately a world, forever altered. All that remains for the stunned survivors is the long fight ahead and a future ruled by fear-of darkness, of death, of a fate far worse.


As civilization swiftly crumbles into a primal landscape of predators and prey, two people flee in search of sanctuary. FBI agent Brad Wolgast is a good man haunted by what he#x19;s done in the line of duty. Six-year-old orphan Amy Harper Bellafonte is a refugee from the doomed scientific project that has triggered apocalypse. He is determined to protect her from the horror set loose by her captors. But for Amy, escaping the bloody fallout is only the beginning of a much longer odyssey-spanning miles and decades-towards the time and place where she must finish what should never have begun. With The Passage, award-winning author Justin Cronin has written both a relentlessly suspenseful adventure and an epic chronicle of human endurance in the face of unprecedented catastrophe and unimaginable danger. Its inventive storytelling, masterful prose, and depth of human insight mark it as a crucial and transcendent work of modern fiction.


AUTHOR HOME PAGE



About Justin Cronin
Justin Cronin (born 1962) is an American author. He has written three novels: Mary and O'Neil, The Summer Guest and The Passage. Awards he has won include the PEN/Hemingway Award, the Stephen Crane Prize, and the Whiting Writer's Award.[1]
Born and raised in New England, Cronin is a graduate of Harvard University and the Iowa Writers’ Workshop. He taught creative writing and was the "Author in-residence" at La Salle University in Philadelphia, PA from 1992 to 2005. He lives with his wife and children in Houston, Texas where he is a professor of English at Rice University.[2]
In July 2007, Variety reported that the screen rights to Cronin's vampire trilogy was purchased by Fox 2000.[3] The first book of the series, The Passage, was released in June 2010.[4] It garnered mainly favorable reviews.[5][6] (from Wikipedia)

Stephen King on The Passage
http://enterthepassage.com/about/

REVIEWS


Library Journal Review


A human-created virus has infected humankind, mutating most into superstrong, near-immortal vampiric creatures. The "virals"-also called "jumpers" and "dracs" (after Dracula, of course)-can leap 20 feet through the air at a bound and split a human (or a horse, or a cow) in half with their bare hands. A small band of men and women embark on a cross-country trek, looking for a way to protect the few remaining uninfected humans from extinction. With them travels an enigmatic prepubescent girl who talks to the virals with her mind and seems to have been born 100 years before. VERDICT The monsters in this compulsive nail biter are the scariest in fiction since Stephen King's vampires in Salem's Lot. Although the novel runs 700 pages, Cronin is a master at building tension, and he never wastes words. Shout it from the hills! This exceptional thriller should be one of the most popular novels this year and will draw in readers everywhere

Kirkus

Literary author Cronin (Mary and O'Neil, 2001, etc.) turns in an apocalyptic thriller in the spirit of Stephen King or Michael Crichton.You know times are weird when swarms of Bolivian bats swoop from the skies and kill humans—or, as one eyewitness reports of an unfortunate GI, off fighting the good fight against the drug lords, "they actually lifted him off his feet before they bored through him like hot knives through butter." Meanwhile, up north, in the very near future, gasoline prices are soaring and New Orleans has been hit by a second hurricane. Wouldn't you know it, but the world is broken, and mad science has something to do with it—in this instance, the kind of mad science that involves trying to engineer super-soldiers but that instead has created a devastating epidemic, with zombie flourishes—here called "virals"—and nods to Invasion of the Body Snatchers and pretty much every other creature feature. Bad feds and good guys alike race around, trying to keep the world safe for American democracy. In the end the real protector of civilization turns out to be a "little girl in Iowa," Amy Harper Bellafonte, who has been warehoused in a nunnery by her down-on-her-luck mother. Mom, a waitress with hidden resources of her own, pitches in, as does a world-weary FBI agent—is there any other kind? Thanks to Amy, smart though shy, the good guys prevail. Or so we think, but you probably don't want to go opening your door at night to find out.The young girl as heroine and role model is a nice touch. Otherwise a pretty ordinary production, with little that hasn't been seen before.

Publishers Weekly Review


Fans of vampire fiction who are bored by the endless hordes of sensitive, misunderstood Byronesque bloodsuckers will revel in Cronin's engrossingly horrific account of a post-apocalyptic America overrun by the gruesome reality behind the wish-fulfillment fantasies. When a secret project to create a super-soldier backfires, a virus leads to a plague of vampiric revenants that wipes out most of the population. One of the few bands of survivors is the Colony, a FEMA-established island of safety bunkered behind massive banks of lights that repel the "virals," or "dracs"-but a small group realizes that the aging technological defenses will soon fail. When members of the Colony find a young girl, Amy, living outside their enclave, they realize that Amy shares the virals' agelessness, but not the virals' mindless hunger, and they embark on a search to find answers to her condition. PEN/Hemingway Award-winner Cronin (The Summer Guest ) uses a number of tropes that may be overly familiar to genre fans, but he manages to engage the reader with a sweeping epic style. The first of a proposed trilogy, it's already under development by director Ripley Scott and the subject of much publicity buzz.


Booklist Review


In this apocalyptic epic that begins in a gloomy near-future, gasoline is $13 a gallon; New Orleans has become an uninhabitable, toxic swamp after a series of devastating hurricanes; the U.S. is steadily losing the war on terror; and the future of humanity hinges on the actions of a young girl. Six-year-old Amy Harper Bellafonte, abandoned to the care of Memphis nuns by her prostitute mother, and her protector, disillusioned FBI agent Brad Wolgast, are at the epicenter of a battle to preserve the human species after a government military experiment to create a super-soldier goes awry. Using an exotic virus found deep in the South American jungle, scientists have discovered that it has the ability to bestow vast strength and instantaneous healing abilities on humans, with one serious side effect: it turns its victims into bloodthirsty (literally) monsters. This door-stopper of a novel is such an homage to Stephen King's The Stand (in length as well as plot), along with Firestarter and even Salem's Lot, that it required some fact-checking to ascertain it was not written under a new King pseudonym.

Best in Books February 2011


The Bodies Left Behind by Jeffery Deaver

A fast-paced story that keeps the reader on the edge of their seat won the 2009 International Thriller Writers Best Thriller of the Year Award. The tone for this book is both suspenseful and violent which may not be appealing to all readers looking for action. Some twists found later in the story certainly make the reader realize that Deaver will not allow your assumptions to play out in the end.

Booklist Review

/*Starred Review*/ Deaver, who has written one excellent thriller after another, is such a good puppet master that he makes us believe whatever he wants us to believe, even things that are false, without telling us a single lie. He practices misdirection through dialogue: a character says something he believes to be true, and so we believe it, too, without questioning the assumptions on which the character is basing his statement. A perfect example of how this technique can be used to perfection occurs in Deaver's latest, in which Brynn McKenzie, a Michigan police deputy investigating a suspicious 911 emergency call, finds herself being pursued through the woods by a pair of killers. And when she meets up with a woman who is also being hunted, Brynn has two lives to protect, and precious few resources with which to do it. The novel, which in some places may remind readers of Barry England's Figures in a Landscape (1997), is vintage Deaver: tightly plotted, with plenty of right-angle plot twists and pitch-perfect dialogue. It's not until we're well more than halfway through the book that we even begin to suspect that we might have made some dangerous mistakes, accepted certain things at face value merely because the characters in the book sold them to us so successfully—but by then, it's way too late, and we are completely at Deaver's mercy. -- Pitt, David (Reviewed 09-15-2008) (Booklist, vol 105, number 2, p4)

First Chapter by Novelist

Jeffery Deaver biography and website