LOVING FRANK
By Nancy Horan
REVIEWS
From The New Yorker
In 1904, Frank Lloyd Wright started work on a house for an Oak Park couple, Edwin and Mamah Cheney, and, before long, he and Mamah had begun a scandalous affair. In her first novel, Horan, viewing the relationship from Mamah’s perspective, does well to avoid serving up a bodice-ripper for the smart set. If anything, she cleaves too faithfully to the sources, occasionally giving her story the feel of a dissertation masquerading as a novel. But she succeeds in conveying the emotional center of her protagonist, whom she paints as a proto-feminist, an educated woman fettered by the role of bourgeois matriarch. Horan best evokes Mamah’s troubled personality by means of delicately rendered reflections on the power of the natural world, from which her lover drew inspiration: watching her children rapturously observe a squirrel as it pulls apart wheat buds or taking pride in the way the house that Wright built for them in Wisconsin frames the landscape.
From Publisher’s Weekly
Horan's ambitious first novel is a fictionalization of the life of Mamah Borthwick Cheney, best known as the woman who wrecked Frank Lloyd Wright's first marriage. Despite the title, this is not a romance, but a portrayal of an independent, educated woman at odds with the restrictions of the early 20th century. Frank and Mamah, both married and with children, met when Mamah's husband, Edwin, commissioned Frank to design a house. Their affair became the stuff of headlines when they left their families to live and travel together, going first to Germany, where Mamah found rewarding work doing scholarly translations of Swedish feminist Ellen Key's books. Frank and Mamah eventually settled in Wisconsin, where they were hounded by a scandal-hungry press, with tragic repercussions. Horan puts considerable effort into recreating Frank's vibrant, overwhelming personality, but her primary interest is in Mamah, who pursued her intellectual interests and love for Frank at great personal cost. As is often the case when a life story is novelized, historical fact inconveniently intrudes: Mamah's life is cut short in the most unexpected and violent of ways, leaving the narrative to crawl toward a startlingly quiet conclusion. Nevertheless, this spirited novel brings Mamah the attention she deserves as an intellectual and feminist.
From Amazon.com Review
It's a rare treasure to find a historically imagined novel that is at once fully versed in the facts and unafraid of weaving those truths into a story that dares to explore the unanswered questions. Frank Lloyd Wright and Mamah Cheney's love story is--as many early reviews of Loving Frank have noted--little-known and often dismissed as scandal. In Nancy Horan's skillful hands, however, what you get is two fully realized people, entirely, irrepressibly, in love. Together, Frank and Mamah are a wholly modern portrait, and while you can easily imagine them in the here and now, it's their presence in the world of early 20th century America that shades how authentic and, ultimately, tragic their story is. Mamah's bright, earnest spirit is particularly tender in the context of her time and place, which afforded her little opportunity to realize the intellectual life for which she yearned. Loving Frank is a remarkable literary achievement, tenderly acute and even-handed in even the most heartbreaking moments, and an auspicious debut from a writer to watch.
AUTHOR HOME PAGE
http://www.nancyhoran.com/
INTERVIEW WITH THE AUTHOR
http://www.bookbrowse.com/author_interviews/full/index.cfm?author_number=1480
LIVE CHAT WITH THE AUTHOR
http://books.gather.com/viewArticle.action?articleId=281474977077718
BOOK CLUB QUESTIONS
http://www.litlovers.com/guide_lovgfrank.html
BETH’S COMMENTS:
I really liked reading a fictional account of a real person versus their biography or autobiography. The mixture of fiction and real life made you think even more. The ending of the story will blow your mind!
By Nancy Horan
REVIEWS
From The New Yorker
In 1904, Frank Lloyd Wright started work on a house for an Oak Park couple, Edwin and Mamah Cheney, and, before long, he and Mamah had begun a scandalous affair. In her first novel, Horan, viewing the relationship from Mamah’s perspective, does well to avoid serving up a bodice-ripper for the smart set. If anything, she cleaves too faithfully to the sources, occasionally giving her story the feel of a dissertation masquerading as a novel. But she succeeds in conveying the emotional center of her protagonist, whom she paints as a proto-feminist, an educated woman fettered by the role of bourgeois matriarch. Horan best evokes Mamah’s troubled personality by means of delicately rendered reflections on the power of the natural world, from which her lover drew inspiration: watching her children rapturously observe a squirrel as it pulls apart wheat buds or taking pride in the way the house that Wright built for them in Wisconsin frames the landscape.
From Publisher’s Weekly
Horan's ambitious first novel is a fictionalization of the life of Mamah Borthwick Cheney, best known as the woman who wrecked Frank Lloyd Wright's first marriage. Despite the title, this is not a romance, but a portrayal of an independent, educated woman at odds with the restrictions of the early 20th century. Frank and Mamah, both married and with children, met when Mamah's husband, Edwin, commissioned Frank to design a house. Their affair became the stuff of headlines when they left their families to live and travel together, going first to Germany, where Mamah found rewarding work doing scholarly translations of Swedish feminist Ellen Key's books. Frank and Mamah eventually settled in Wisconsin, where they were hounded by a scandal-hungry press, with tragic repercussions. Horan puts considerable effort into recreating Frank's vibrant, overwhelming personality, but her primary interest is in Mamah, who pursued her intellectual interests and love for Frank at great personal cost. As is often the case when a life story is novelized, historical fact inconveniently intrudes: Mamah's life is cut short in the most unexpected and violent of ways, leaving the narrative to crawl toward a startlingly quiet conclusion. Nevertheless, this spirited novel brings Mamah the attention she deserves as an intellectual and feminist.
From Amazon.com Review
It's a rare treasure to find a historically imagined novel that is at once fully versed in the facts and unafraid of weaving those truths into a story that dares to explore the unanswered questions. Frank Lloyd Wright and Mamah Cheney's love story is--as many early reviews of Loving Frank have noted--little-known and often dismissed as scandal. In Nancy Horan's skillful hands, however, what you get is two fully realized people, entirely, irrepressibly, in love. Together, Frank and Mamah are a wholly modern portrait, and while you can easily imagine them in the here and now, it's their presence in the world of early 20th century America that shades how authentic and, ultimately, tragic their story is. Mamah's bright, earnest spirit is particularly tender in the context of her time and place, which afforded her little opportunity to realize the intellectual life for which she yearned. Loving Frank is a remarkable literary achievement, tenderly acute and even-handed in even the most heartbreaking moments, and an auspicious debut from a writer to watch.
AUTHOR HOME PAGE
http://www.nancyhoran.com/
INTERVIEW WITH THE AUTHOR
http://www.bookbrowse.com/author_interviews/full/index.cfm?author_number=1480
LIVE CHAT WITH THE AUTHOR
http://books.gather.com/viewArticle.action?articleId=281474977077718
BOOK CLUB QUESTIONS
http://www.litlovers.com/guide_lovgfrank.html
BETH’S COMMENTS:
I really liked reading a fictional account of a real person versus their biography or autobiography. The mixture of fiction and real life made you think even more. The ending of the story will blow your mind!
